Le rapt des drapeaux : art et mémoire anti-autoritaire 60 ans après un coup d’État au Brésil

Autores/as

  • Vinicius Oliveira Sanfelice UNIFESP

DOI:

https://doi.org/10.5195/errs.2025.707

Palabras clave:

Mémoire, Critique, œuvre d’art, drapeau, Imagination

Resumen

Cet article propose une réflexion sur la mémoire critique à partir d’œuvres d’art créées dans un contexte politique autoritaire. En analysant des œuvres « anti-autoritaires », cet article pose la question suivante : comment la réflexion de Paul Ricœur sur la mémoire aide-t-elle à réfléchir sur ces œuvres qui se réapproprient des symboles nationaux pour dénoncer la manipulation du passé ? La situation politique du Brésil combine abus de violence et oublis en raison de son passé dictatorial et d’une amnistie dépourvue de mémoire et de justice. Les œuvres d’art contribuent à établir une relation entre mémoire personnelle et mémoire collective : on peut souligner leur fonction critique de dénonciation et de témoignage. La dimension politique et festive des œuvres que nous analyserons met en lumière la manipulation de la mémoire au Brésil.

Citas

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Publicado

2025-10-01

Número

Vol. 16 Núm. 1 (2025)

Sección

Varia

Licencia

Derechos de autor 2025 Lucile Foucher PAO; Vinicius Oliveira Sanfelice

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Esta obra está bajo una licencia internacional Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0.


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