La pensée des lieux de Paul Ricœur à l’épreuve du paysage. Un dialogue possible entre herméneutique, esthétique performative et phénoménologie

Autores/as

  • Francesca D'Alessandris Université de Modène et Reggio Emilia

DOI:

https://doi.org/10.5195/errs.2021.562

Palabras clave:

Paysage, Performance, Imitation, Expérience, Texte.

Resumen

Dans cet article, nous soutenons que l’herméneutique des espaces de Paul Ricœur et la vision esthétique du paysage comme performance, basée sur les théories contemporaines de Erika Fischer-Lichte, peuvent être réconciliées par la médiation de la phénoménologie de l’a priori de Mikel Dufrenne. Nous montrons en particulier comment la représentation du paysage et son interprétation en tant que « texte » sont essentiellement liées à l’expérience pré-réflexive que nous en faisons. Cette expérience, rendue possible par l’activation d’a priori matériels précis – et donc historiques et culturels –  peut être ainsi traduite en images et en textes. En entrelaçant l’herméneutique, la phénoménologie et l’esthétique performative, nous proposerons une description philosophique aussi exhaustive que possible du paysage ; c’est-à-dire une définition du paysage qui ne néglige pas les aspects de ce phénomène suggérés par sa précompréhension linguistique et par ses représentations artistiques.

Citas

Gaston Bachelard, La poétique de l’espace (Paris : Puf,1957).

Augustin Berque, La Pensée paysagère (Bastia : Éoliennes, 2016).

Judith Butler, « Performative Acts and Gender Constitution. An Essay in Phenomenology and Feminist Theory », in Sue-Ellen Case (ed.), Performing Feminism. Feminist Critical Theory and Theatre (Baltimore/London : Johns Hopkins University Press, 1990), 270-282.

François Dagognet, Une épistémologie de l’espace concret. Néo-géographie (Paris : Vrin, 2018 [1973]).

Francesca D’Alessandris, « La durée dans la dureté. Espaces de la mémoire et mémoires de l’espace chez Paul Ricœur », Études ricœuriennes/Ricoeur Studies, vol. 10/1 (2019), p. 58-72.

Mikel Dufrenne, La notion d’a priori (Paris : Puf, 1959).

—, Le poétique (Paris : Puf, 1963).

Umberto Eco, Semantica della metafora, in Le forme del contenuto (Milano : Bompiani, 1971).

Erika Fischer-Lichte, Estetica del performativo. Una teoria del teatro e dell’arte (Roma : Carocci, 2014).

Maurice Maeterlinck, La vita delle api, trad. Cosima E. Fedeli (publication indépendante, 2020 [1921]).

Rita Messori, « Paesaggio e performatività. Tra estetica, etica e pratiche artistiche », Studi di estetica, vol. 3 (2021).

Philippe Nys, « Del paesaggio », in Roberto Barbanti, Luciano Boi, Mario Neve (eds), Paesaggi della complessità. La trama delle cose e gli intrecci tra natura e cultura (Milano : Mimesis, 2011).

Paul Ricœur, « La cité est fondamentalement périssable », in Les Grands Entretiens du « Monde » (Paris : Le Monde, 1994), t. II, p. 10-12.

—, « Architecture et narrativité », Urbanisme, vol. 303 (novembre-décembre 1998), p. 41-51.

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—, « Urbanisation et sécularisation », Autres temps. Cahiers d’éthique sociale et politique, vol. 76-77 (2003), p. 113-126.

Rainer Maria Rilke, Del paesaggio, in Del paesaggio e altri scritti, trad. Giorgio Zampa (Milano : Adelphi, 2020).

Erwin Straus, Vom Sinn der Sinne. Ein Beitrag Zur Grundlegung Der Psychologie (New York : Springer, 1978).

Maria Cristina Clorinda Vendra, « Interpreting the Natural Environment. Paul Ricœur’s Directions for an Eco-Hermeneutic Phenomenology », Discipline Filosofiche, vol. 2 (2020), p. 261-276.

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Publicado

2021-12-15

Número

Vol. 12 Núm. 2 (2021)

Sección

Articles

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