L'autre feminine: De la passivité à l'action

Authors

  • Carlos A. Garduño Comparán Conseil National de Science et Technologie du Mexique/EHESS (Paris)

DOI:

https://doi.org/10.5195/errs.2013.165

Keywords:

Feminine, Tragedy, Epic, Antigone, Medea

Abstract

This text explores the notion of the feminine through the schemas of epic and tragedy in Ricœur’s work, symbolized by the figures of Penelope and Antigone. Later, we will propose Medea as a better example for Gender Studies, interpreted in relation to the developments of The Rule of Metaphor on resemblance and substitution, and to the process of mimesis of Time and Narrative.

Author Biography

Carlos A. Garduño Comparán, Conseil National de Science et Technologie du Mexique/EHESS (Paris)

Carlos A. Garduño Comparán is currently a postdoctoral fellow of the National Council of Science and Technology of Mexico (CONACYT), in the School of Graduate Studies in Social Sciences (EHESS) of Paris, where he researches about different concepts of representation in relation to the faculties of the subject, from Hume and Kant, to Benjamin, Ricœur, Arendt, Foucault and Psychoanalysis.

His general interests vary from Ethics, Aesthetics and Epistemology, to Psychoanalysis, Theory of Communication, Theory of History and Art and Literary Criticism.

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Published

2013-05-22

Issue

Vol. 4 No. 1 (2013)

Section

Articles

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