L'autre feminine: De la passivité à l'action

Autores/as

  • Carlos A. Garduño Comparán National Council of Science and Technology of Mexico (CONACYT)

DOI:

https://doi.org/10.5195/errs.2013.165

Palabras clave:

Féminin, Tragédie, Épopée, Antigone, Médée

Resumen

Dans ce texte, la notion du féminin est explorée à travers deux schémas présents dans l'œuvre de Ricœur, celui de l'épopée et celui de la tragédie, symbolisés par les figures de Pénélope et Antigone. Par la suite, on proposera Médée comme un exemple qui s'adapte de manière appropriée à la problématique des études de genre, interprété par rapport aux développements de La Métaphore vive sur la ressemblance et la substitution, et au processus de la mimèsis dans Temps et récit.

 

 

Biografía del autor/a

Carlos A. Garduño Comparán, National Council of Science and Technology of Mexico (CONACYT)

Carlos A. Garduño Comparán. Bachelor in Philosophy, Iberoamerican University (UIA), 2004. Master in Philosophy, National Autonomous University of Mexico (UNAM), 2009. Ph. D. in Philosophy, Complutense University of Madrid (UCM), 2011.

He has read Philosophy of Communication, Ethics and Theory of Knowledge at Iberoamerican University (UIA), Aesthetics and Philosophy of Art at Monterrey Institute of Technology (ITESM) and Sociopolitical Ideas and Institutions at Mexico Autonomous Institute of Technology (ITAM), in Mexico City.

His doctoral thesis explores the problem of the definition of Contemporary Art and was published in 2012 by Jaume I University with the title Arte, Estética y Psicoanálisis: promesa de reconciliación. La falta de evidencia del arte contemporáneo y su derecho a la existencia (Art, Aesthetics and Psychoanalysis: Promise of Reconciliation. The lack of evidence of Contemporary Art and its right to exist).

He is currently a postdoctoral fellow of the National Council of Science and Technology of Mexico (CONACYT), in the School of Graduate Studies in Social Sciences (EHESS) of Paris, where he researches about different concepts of representation in relation to the faculties of the subject, from Hume and Kant, to Benjamin, Ricœur, Arendt, Foucault and Psychoanalysis.

His general interests vary from Ethics, Aesthetics and Epistemology, to Psychoanalysis, Theory of Communication, Theory of History and Art and Literary Criticism.

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Publicado

2013-05-22

Número

Vol. 4 Núm. 1 (2013)

Sección

Articles

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